![]() of Leeds, and Armley House the last of her. We expect to do most of our business with you by email, but it may be necessary to phone you at the last minute because of urgent editing issues. Note the use of phrases like might be, could be, appears to be and. ![]() Make su re we ha ve bot h an email addres s and a telephone number so that we can contact you at the editi ng stage. Duly Noted Productions is a production company based in Knoxville, TN.Place these items at the beginning of your file, with the titles ‘ Abstract’ and ‘Biography’. The abstract will go onto the Intellect website the biography will be included in the journal issue. Includ e an article a bstra ct of 150–2 00 words, and a short biography.Your article should not exceed 5000 words (excluding ‘Notes’. Each jo urnal iss ue has a m aximu m number of words.We cannot advise you on unworked- up conference papers. Send th e article in a finis hed wri tten -up state.You will know if you already use this if you don’t use it, please do not try to do so for submission, since it complicates the work immensely. Or, in very formal settings, that something is being added to the record for posterity. In professional or legal settings, duly noted might stand in for less formal phrases like got it to show that you acknowledge or understand something. This is the f acility accessed through the menus Format-Theme-Style Gallery- Template, which allows you to use templates to format your text. Duly noted can be formal or informal depending on context and the speaker’s intent. Please a void u sing W ord’s ‘Sty le Gallery’.Do not send your article pasted into an email message. Do not send files in WordPerfect or Text files (i.e. Submit t he article as an e mail att achment in Word 6 or in Rich Text Format.Readers of SEC are based worldwide and reflect the diversity of the journal’s content. Hollywoo d, ‘World’ cinema, and so for th. The work of directors, writers, actors, cinematographers and technicians operating within European film production is also considered, as is European cinema in the context of others, e.g. The scope of the journal encompasses the historical and cultural dimensions of European cinema alongside its identities, languages, styles, forms and audiences. Following the recent global expansion of film courses and programmes in undergraduate and postgraduate degree programmes in departments of Languages, Film and Media, European Studies, and Cultural and Communications Studies, the journal facilitates discussion about all sub- ject s relatin g to Euro pea n cinema and pro vide s a ke y resour ce for acade- mic study and research, as well as being attractive to informed lay readers. The journal is distinctive in bringing together a range of European cinemas in one volume and in its positioning of the discussions within a range of contexts – the cultural, historical, textual, and many others. (SEC) provides an outlet for research into any aspect of European cinema and is unique in its interdisciplinary nature, celebrating the rich and diverse cultural heritage across the continent.
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